I may be crazy, but it seems to me that . . .

Author: Jeff (Page 1 of 11)

Chapter 23: The Woman Who Waited

The heavy front door of the VFW groaned shut, sealing out the amber light of the late afternoon. Peggy sat in the passenger seat of Eleanor’s battered Chevy. Her mind spinning faster than the gravel under the tires. Clutched in her arms, the “For Ethan’s Eyes Only” envelope felt heavy, a physical weight of secrets and skipped heartbeats.

“You’re awfully quiet, sugar,” Eleanor said, her eyes fixed on the winding blacktop. “Those old warhorses in there can talk your ear off, but they don’t mean much harm. Mostly just bored.”

Peggy looked at Eleanor’s profile. The woman’s hands were steady on the wheel, her face a map of small-town resilience. “Harold mentioned a woman named Grace. He said she stayed in Royal after everyone else left. After the power was cut.”

Eleanor’s foot hesitated on the gas for a fraction of a second. The engine hummed a lower note. “Harold always did have a soft spot for a ghost story. But Grace… she wasn’t a story. She was real enough.”

“Did you know her?”

Eleanor sighed, a sound like dry leaves skittering across pavement. “Everyone knew the girl who waited. She lived in that little Victorian house near Royal Park. The park with the gazebo. The house was a beautiful place before the quarantine. After? It was like the world just forgot to keep turning for her.”

Peggy’s breath hitched. The gazebo. The image from the puzzle, the image on the sheet music. It wasn’t just a romantic illustration; it was a landmark of a tragedy.

“She had a child, didn’t she?” Peggy pressed.

“A boy,” Eleanor said. “Born a few years before the ’59 outbreak. Grace was… different after that. Fiercely private. When the sheriff put up the roadblocks for the measles quarantine, she didn’t complain. Some say she liked the silence. But then the quarantine lasted too long. The measles story started to smell funny to folks in Oakhaven. People stopped getting sick, but the guards stayed. And when they finally left? Royal was just a shell.”

“Why didn’t she leave with the others?” Peggy asked.

“She told my mom once that she’d promised someone she’d be there when the music started again. Can you imagine? Waiting in a town with no lights, no mail, just the wind whistling through the abandoned town.” Eleanor shook her head. “She stayed until 1964. By then, the boy was school-age. The county finally sent a social worker in to force them out. They moved her to a state facility over in Chippewa Falls. The boy… well, he went into the system.”

Peggy gripped the envelope. “What was the boy’s name?”

Eleanor turned the blinker on, the rhythmic click-clack filling the tense silence of the car. “I really don’t remember. Maybe after his father. But Grace never would say who the father was. Just that he was a traveling man. Or something like that. Some said the father was a musician. He might have played in the Tommy Melk band”

The realization hit Peggy like a physical blow. Tommy Melk and the Melk Duds? Ethan’s grandfather? The family friend she told the old men about wasn’t just a friend. Could it be…?

As they pulled into the driveway of a small, neat house in Black River Falls, Eleanor turned off the ignition. The silence was absolute.

“Peggy,” Eleanor said softly, “that puzzle those old men were working on? It’s been in that VFW hall for years. No one ever finishes it because one piece is missing. Just like the truth about Royal. Some things are better left lost in the woods.”

Peggy looked at the dark silhouette of the trees against the twilight sky. Somewhere out there, past the highway and the history books, the ghost town of Royal was waiting. And she knew, with a terrifying certainty, that she held the missing piece in her hand.

The Least, the Last, and the Lost

“Truly I tell you, whatever you did for one of the least of these brothers and sisters of mine, you did for me.” – Matthew 25:40


Good morning, friends and neighbors. We live in a time of great prosperity. We have new cars in the driveway. The refrigerators hum in our kitchens. Our future looks brighter than a June morning. But in the midst of this Great American Century, we must be careful not to let the glare of our own success blind us to the person standing in the shadows.

There is a profound mystery at the heart of our faith. A teaching from the Divine that turns the social ladder right on its head. It is this: Truly I tell you, whatever you did for one of the least of these brothers and sisters of mine, you did for me.

Now, we often go looking for the Divine in the high places. We look for majesty in the cathedral spires, or we look for power in the thunder of the clouds. But this morning’s truth tells us something different. It tells us that the Divine chooses to wear a humble disguise.

Think of the least of these in our own town. The man sitting on the park bench who’s fallen on hard times. The widow, struggling to keep her garden tidy. The child from the wrong side of the tracks with a hole in his shoe.

When you offer a handshake to the forgotten, or a hot meal to the hungry, you aren’t just being a good citizen or a decent fellow. You are actually reaching out and touching the Divine. Every act of kindness to the lowly is a direct gift to the Divine.

Friends, we often worry about how we stand in the eyes of our community. We want the boss to think we’re industrious. We want the neighbors to see us as respectable. But the real audit of our souls happens when no one is watching, except the Divine.

If we are important people who treat the unimportant with indifference, we are missing the point of our existence. If we tip our hats to the Mayor but turn our backs on the vagrant, we have turned our backs on the Divine. You see, the way we treat the person who can do absolutely nothing for us is the truest measure of our character.

As you go back to your tidy homes and your busy offices this week, I want to challenge you. Look for the least among us. Don’t look at them as a burden or a social problem to be solved by a committee. Look at them through the eyes of the Divine. Treat the delivery boy with the same respect you’d show a bank president. Keep an eye out for the lonely soul who doesn’t get many visitors. Remember that when you serve others, you are being served by the peace that only the Divine can provide. Let us not just be a community of good neighbors, but a community that recognizes the sacred in every face we pass on the sidewalk.

Amen.

The Boomerang of the Soul

“The merciful, kind, and generous man benefits himself for his deeds return to bless him, but he who is cruel and callous to the wants of others brings on himself retribution.” – Proverbs 11:17


Dear Brothers and Sisters. I’d like us to reflect on a law of nature. Not a law of physics like those our scientists are studying in their laboratories. But a law of the spirit. We live in a world that prizes the self-made man, the go-getter, and the one who climbs the ladder of success. But tonight, I want to talk to you about the true economy of the heart.

There is a rhythm to this life, established by the Divine, that dictates a simple truth: The merciful, kind, and generous man benefits himself, for his deeds return to bless him. But he who is cruel and callous to the wants of others, brings on himself retribution.

Consider, if you will, the man who lives with an open hand. When he sees a neighbor in need, perhaps a family struggling with a medical bill or a youth who has lost his way. He does not look the other way. He acts with the mercy of the Divine.

Now, some might say, “Isn’t that man losing something? Isn’t he giving away his own security?”

I tell you, the Divine has orchestrated a marvelous thing. Kindness is a boomerang. Kindness is peace of mind. The generous man sleeps soundly, his conscience as clear as a summer morning. When the winter of his own life arrives, he finds a community ready to wrap him in the same warmth he once provided. By showing mercy, he becomes a mirror for the light of the Divine, and that light warms his own house first.

But then, friends, we must look at the alternative. We all know the man who keeps his heart under lock and key. He is callous. Think of that word. A callus is skin that has become hard, thick, and unfeeling. The man who ignores the cry of the poor or treats his subordinates with cruelty thinks he is winning the game of life. He thinks he is protecting his interests. But he is actually building a prison. Retribution is not always a lightning bolt from the sky. Often it is the natural consequence of a life lived without love.  The cruel man lives in isolation. He eventually finds himself in a room where the only company is his own bitterness. His heart is hardened. By refusing to feel for others, he loses the ability to feel the joy of the Divine for himself. You cannot sow seeds of thistles and expect to harvest wheat. If you plant indifference, you will reap a desert.

As we head back to our homes, let us remember that every interaction is a seed. When you choose to be the merciful man, you aren’t just doing a favor for your neighbor. You are performing a service for your own soul. You are aligning yourself with the generous nature of the Divine.

Do not let the world harden you. Do not let the pursuit of things make you callous to the people around you.

Open your hearts. Extend your hands. Watch how the blessings of the Divine find their way back to your doorstep.

Amen.

Dear Shirley

Dear Shirley.

I have been “keeping company” with a steady young man for nearly two years. He is hardworking, polite to my mother, and never forgets a birthday. However, he has yet to mention a “ring” or our future together. My friends are all sporting diamonds and planning June weddings. Should I give him a nudge, or am I being a “Nervous Nellie”?

Waiting in Royal


Dear Waiting in Royal,

Patience is a virtue, but silence isn’t always golden. Sometimes it’s just a lack of direction! A man who appreciates a home-cooked meal should also appreciate a woman’s need for security. Don’t “nudge” him like a stubborn mule. Instead, have a heart-to-heart. If he’s still whistling in the dark after two years, you might want to stop waiting for a spark and find a man who’s ready to build a fire.

Shirley

WRYL Presents

The Wit And Wisdom Of Horace B Miesner

I’m not a morning person, or an afternoon person, or an evening person.


WRYL – The Voice of the Great Up North

Scene 10 – Fade Out: Mid Term Submission Day

(SCENE START)

INT. UWM FILM DEPARTMENT OFFICE – DAY

A gray, overcast afternoon in October. The office is quiet, save for the hum of fluorescent lights and the nervous energy of students rushing in to submit their mid term projects. DR. SKOLLER sits behind his desk, looking marginally less weary than usual, accepting the thick, bound screenplays.

JEFF (O.S.): So far this semester had brutalized us. We’d been forced to confront structure, conflict, and the horrifying truth that our personal philosophies didn’t automatically translate into a sellable plot. But we finished our mid term project. The scripts, bound in plastic and filled with the DNA of our compromises, represented not just a project completed, but a permanent, painful shift in the way we saw the world.

LEONARD approaches DR. SKOLLER”s desk, holding his script, “The Ovoid Obsession,” bound in a plain black 3 ring binder with no graphics.

LEONARD: DR. SKOLLER, sir. It is done. Arthur successfully replaces the defective potatoes. The ending, however, is not a triumph. He realizes that even his act of subversive rebellion is merely an act of fleeting pattern disruption in an infinitely chaotic universe.

DR. SKOLLER: (Accepting the script) Good, Leonard. I’m pleased you maintained the profound sense of futility, even while incorporating a second-act vegetable heist. Progress.

CYNTHIA slides her script, “The Algorithm of Ashes,” across the desk. It’s bound in a stark white 3 ring binder.

CYNTHIA: The senator succeeds. The bureaucratic machine implodes under the weight of its own flawed paperwork. The resolution is a void, DR. SKOLLER. A total, beautiful, quiet collapse.

DR. SKOLLER: I expected nothing less, Cynthia.

STANLEY bursts in, clutching his script, “Fast Track to Fame!”, bound in a glossy gold three ring binder, nearly knocking over a trash can.

STANLEY: Submitted! The final resolution involves my protagonist realizing that the only way to achieve true cinematic glory is to reject the Hollywood machine and come back to Milwaukee to make his authentic film! It’s a full-circle, triumphant arc!

DR. SKOLLER: (Massages his temples) Excellent. So, he ends up right where he started, but with better self-esteem. Very marketable.

DEBORAH and MARVIN approach the desk together, submitting their scripts. Marvin’s, “The Antique Washer,” bound in brown leatherette 3 ring binder, and Deborah’s, “Fasteners of the Heart,” in a soft blue cover 3 ring binder.

DEBORAH: The relationship survives the suburban crime ring, DR. SKOLLER. The final scene is them realizing the biggest MacGuffin wasn’t the washer, but the lack of communication they let contaminate their love.

MARVIN: My resolution is a bit more concrete. The hero gets the girl, gets the washer, and uses it to fix a leaky faucet. A practical, functional ending.

DR. SKOLLER: (He actually smiles faintly) A practical, functional ending. That is, arguably, the most radical resolution of all. Congratulations, team. You survived the narrative structure.

The students gather their belongings and head out into the hallway.

STANLEY: I feel reborn! I feel ready for the next level! Who wants to read a synopsis of my sequel, “Fast Track to Financing”?

LEONARD: I need a long, dark room to contemplate the moral implications of forcing my character to commit a felony for the sake of plot momentum.

CYNTHIA: I need a quiet place to smoke. And then perhaps I’ll burn the remnants of my idealism.

DEBORAH: (Linking her arm through Marvin”s) We did it, Marvin. We wrote a thriller and a rom-com, and we didn’t break up in the process.

MARVIN: (Looking at her, a genuine, content expression) The script needed the manufactured drama. We didn’t. I’d rather sort nuts and bolts with you than fight a thousand lock washers.

JEFF (O.S.): We survived the first half of our junior semester. The abstract filmmakers were now, for better or worse, storytellers. We learned that narrative demanded stakes, even if we had to invent them. But the real victory belonged to Marvin and Deborah. Their love story, written in the quiet moments between takes and the careful phrasing of their dialogue, proved that sometimes, the most compelling story of all is the one you deliberately choose to keep simple and true. They faced the chaos of the semester and chose the practical, deliberate act of sticking together. And that, I realized, was a pretty great ending.

(SFX: The heavy front door of the film building shuts with a final, echoing CLUNK.)

(SCENE END)

The Wellspring Within

When you bring forth what is in you, what you have will save you. That which you do not have in you will kill you if you do not know it within you.” – The Gospel of Thomas


My friends and neighbors. Look around this sanctuary. We see the familiar faces of our community, the sturdy craftsmanship of these pews, and the light streaming through the glass. We live in an age of great wonders—automobiles that glisten like chrome jewels and rockets aiming for the very stars. But tonight, I want us to turn our gaze away from the gadgets of the modern world and look into the most mysterious territory of all. The human heart.

There is a fundamental truth about our existence. One that the Divine has woven into the very fabric of our souls. It is this, “When you bring forth what is in you, what you have will save you. But that which you do not have in you will kill you if you do not know it within you.”

Think of your life as a garden plot given to you by the Divine. Inside every one of us, there is a seed. A unique essence. A truth. A calling.

If you nurture that seed. If you bring it forth into the light through honest labor, kindness, and integrity, that very essence becomes your salvation. It becomes the strength that carries you through the storms of life.

But if you bury it. If you stifle that inner light out of fear or because you’re too busy keeping up with the Joneses. It doesn’t just disappear. It sours.

You see, friends, we cannot pretend to be something we aren’t. The Divine didn’t make us to be carbon copies of our neighbors. If you have a truth inside you and you refuse to live it, you are carrying a weight that will eventually pull you under.

Now, let’s look at the second half of that truth. If you do not possess that inner connection. If you haven’t recognized the presence of the Divine within your own mind and spirit. You are walking on hollow ground.

In this fast-paced world , it is easy to become “hollow people.” We fill our lives with noise. We fill our lives with television programs and social clubs. We try to ignore the quiet ache in our chests. But hear me clearly. What you do not have in you will kill you. It won’t be a physical death. Perhaps not at first. It is the death of the spirit. It is the cynicism that withers the soul. If you do not find that spark of the Divine within yourself, the world will eventually feel like a cold, dark place. You cannot find outside what you have failed to cultivate inside.

So, as we go about our business this week. Whether you’re at the office, the grocery store, or the kitchen sink. Ask yourself this, “ What am I bringing forth? Is it the genuine fruit of a soul in harmony with the Divine? Or am I carrying a void where my spirit ought to be?

Do not be afraid of what you find in the quiet moments. For even in the darkest corner of the heart, the Divine is waiting for you to simply acknowledge the light. Bring it forth, let it save you, and walk out of this building today as a person made whole.

Amen.

Chapter 22: The Tug of Realities

The needle of Ethan’s life had finally found a groove. After several weeks in Royal, the initial static of terror had smoothed into a steady, mid-century hum. He had a routine now, one that felt more like a ceremony than a schedule.

Each morning, the sun would spill across his floorboards, beckoning him down to a kitchen that would eventually smell of percolating coffee and bacon and eggs. He’d step onto the porch to retrieve the morning paper, often lingering to trade pleasantries with a neighbor. These were simple exchanges—talk of the weather or local gossip—but they anchored him. By the time he sat down with his coffee and breakfast, Ethan’s true reality felt like a half-remembered dream.

He spent his midday hours in a state of quiet productivity. He mowed the lawn, tended to his vegetable garden, and performed his ritual check on the windmill. He found solace in his backyard shed, tinkering with tools and reading articles from a stack of Popular Science magazines.

Most surprisingly, he had returned to his violin. At first, the music was a struggle. His fingers were stiff, and the bow felt like a lead weight in his hand. The notes he produced were rusty, screeching protests that sounded out of tune with the world around him. But as the days passed, the stiffness in his arm melted away, and the melodies began to flow, smoothing out until they matched the rhythm of the town itself.

By afternoon, Ethan was the charming voice of WRYL. Ethan would walk to the radio studio and back with the easy gait of a man who belonged. He ate at the Lunch Box Cafe, engaged in philosophical bouts with Pastor Dzef, and attended services at Saint Helga’s. He was happy or so he told himself. He felt a sense of control that had eluded him in his “real” life.

But Royal had a way of reminding him he was a guest, not a native.

Every evening, the silence of the house brought the “other” reality back into focus. He would look into the corner of the dining room and see them –  the backpack, the cooler, and the suitcase. They sat there like artifacts from a shipwreck. In their presence, Ethan would snap back to his true timeline, and the anxiety would bloom in his chest like a dark flower.

On his hardest days -the days when Ethan was not working, he would walk to the edge of town. He’d stare at the horizon, wondering if he could simply outrun the 1950s. But Royal was a jealous guardian. Every time he strayed too far, a neighbor or a passerby would magically appear, striking up a conversation that gently but firmly steered him back home. He was trapped in a tug-of-war between his memory of Peggy and his family, and the magnetic pull of this perfect, impossible place. At night, he felt a presence watching over him, a phantom guardian that vanished the moment he woke.

One afternoon, the Town of Royal decided it was time for Ethan to move beyond his routine.

As he walked toward the radio studio, he spotted a woman outside the Greyhound bus station, right next to the Lunch Box Cafe. She stood by a lone suitcase, her long brown hair catching the light. She looked familiar – hauntingly so. But the connection slipped through Ethan’s mind. Her face had a radiant, almost angelic glow. When she looked at Ethan and smiled, he felt mesmerized, his feet momentarily rooted to the sidewalk.

A bus pulled up, venting a cloud of diesel smoke. Passengers spilled out, and Ethan quickened his pace, desperate to reach her. But by the time the door hissed shut and the bus pulled away, the sidewalk was empty. She wasn’t on the bus, and she wasn’t on the street. She had simply vanished.

“People stay and people leave. It is all in what you believe,” a voice stated.

Ethan turned to find Pastor Dzef standing there, holding out a chocolate malt. The Pastor’s gaze was heavy with meaning as they both watched the bus disappear down the road. “What do you believe in, Ethan?”

Ethan didn’t have an answer. He offered a small smile, thanked the Pastor for the malt, and continued toward work.

As he passed Royal Park, something new caught his eye on the community bulletin board. A vibrant poster announced that Tommy Melk and the Melk Duds would be performing at the gazebo during the upcoming Royal Festival Days.

Pinned right next to it was a small, hand-written scrap of paper that seemed to vibrate with possibility. Tommy Melk was looking for a violin player.

Ethan felt the weight of the chocolate malt in one hand and the calluses on the fingers of the other. The tug of realities had just entered a new phase.

Dear Shirley

Dear Shirley,

I am a 28 year old man in a predicament that sounds like a dream but has become a nightmare. I have been courting two wonderful young women for the past year. “Betty” and “Veronica” are both lovely, intelligent, and come from fine families.

The trouble is, Shirley, they are identical in every way that matters. They share my love for the outdoors. They both want a quiet life in the suburbs with three children. Our values regarding faith and finances are a perfect match. I get along with both of them famously. When I am with Betty, I think she is the one. When I am with Veronica, I am certain it is her.

I know I cannot keep this up forever without being a heel, and I am terrified that by choosing one, I will spend the rest of my life wondering if I made a mistake. Or worse, that I’ll lose both of them when they find out I’m playing double-dutch with their hearts. How does a man choose between two “perfect” women?


Archie


Dear Archie,

Pull up a chair and listen closely. You say these women are “perfect” and “identical,” but people aren’t carbon copies produced at the General Motors plant.

The reason you cannot choose is not because they are the same. It is because you are in love with the idea of marriage, but perhaps not uniquely in love with either woman. If one of them truly held the key to your heart, the other would have become a “dear friend” months ago.

By trying to keep both, you are being fair to neither. A woman’s time is her most precious commodity, and while you’re busy weighing Betty against Veronica like a pound of onions, you are keeping both from finding a man who has no doubts.

Here is your test: Imagine you wake up tomorrow and you are told that Betty has met another man and is engaged. If your first feeling is relief that the decision was made for you, then Betty isn’t the one. If your heart sinks into your shoes, then she is.

However, if you still can’t decide after that exercise, do them both a favor: Stop seeing both. Take a month of “bachelor’s solitude” with no phone calls and no Sunday drives. Distance has a way of clearing the eyes. You’ll soon find yourself missing one voice, one laugh, and one smile more than the other.

And if you find you don’t miss either of them? Then keep walking Buddy. You haven’t found “The One” yet. You’ve just found two bridesmaids.


Shirley

Chapter 21: Fitting The Pieces Together

Peggy pulled open the service door and stepped into a dimly lit hallway. The air was thick and heavy with the scent of aged beer, Pine-Sol cleaner, and the sharp, nicotine tang of old tobacco smoke. It was quite warm inside. A stark contrast to the fresh gentle breeze outside.

The hallway led her around a corner and into the main hall – a large, cavernous room where sunlight struggled to penetrate the high, dusty windows. A few folding tables were set up near a makeshift counter, and seated around one table were three elderly men, wearing jackets, baseball caps and the casual, comfortable clothes of retirement. They were arguing good-naturedly over a half-completed jigsaw puzzle, their voices rumbling like distant thunder.

“Look, Fred, that piece is clearly part of the river! You can see the shading!”

“Nonsense, Harold! That’s part of the sky!”

Peggy cleared her throat. The conversation stopped instantly. All three heads snapped towards Peggy – a young woman with a backpack, looking totally out of place.

“Well, hello there,” the man Peggy took to be Harold said, pushing his chair back. He had a friendly but suspicious look in his eye. “Can we help you, miss? The VFW isn’t officially open until five.”

Peggy forced a smile and walked toward them, placing the backpack on the table. She pulled out the folded copy of the 1957 road map and the blurry 1959 newspaper photo from the envelope.

“My name is Peggy. I know this is strange, but I’m looking for some information about an old dance band, Tommy Melk and the Melk Duds, and a town called Royal. I have an old poster for a dance held in this hall.”

The men exchanged glances. The one named Fred grunted, chewing on the end of a wooden toothpick. “Melk Duds? Sure, I remember Melk. They played a mean polka. But that was years ago, kid. Long before you were born.”

Harold picked up the map, his finger tracing the line from Highway 139 until the finger rested on the small dot labeled Royal.

“This here map is old,” he observed. “Royal. That town’s been long gone. What in the blazes do you want with Royal?”

Peggy chose her words carefully, deciding to focus on the people, not the quarantine. “I’m trying to trace the history of a family friend, a musician. His name was Paul, and he played the accordion for the Melk Duds.” Peggy then pointed to the newspaper photo of the roadblock. “Do any of you remember this? The quarantine in 1959?”

The third man, who had been silent, slowly pushed his glasses up his nose. “Quarantine? I remember that. April ’59. Measles outbreak was terrible. County sheriff locked that place down tighter than an oil drum. Never seen anything like it.” He looked at Peggy, his eyes suddenly sharp. “Why’s that important, girl?”

“I have reason to believe this family friend … Paul … lived in Royal. I’m trying to put the pieces of a puzzle together. I need to find out what happened to the town and people of Royal.”

Fred snorted. “What happened? They waited out the quarantine, same as everyone else. Once the all-clear came, people just started leaving. Royal was a small place anyway, mostly a tourist trap. By the mid-sixties, everyone was gone and the county just abandoned the town and roads.”

Harold, however, was still staring at the map. “Wait a minute, Fred. That ain’t exactly right. The quarantine was lifted, sure, but Royal didn’t just empty out. Some folks… they never left right away. And that one woman, Grace. She was….” Harold’s  voice trailed off. He stared down and went back to work on the puzzle.

Peggy’s heart hammered against her ribs. Grace. The love of Ethan’s grandfather’s life.

“What about Grace?” Peggy whispered, leaning in.

Harold looked uneasy, casting a glance down the hallway. “Years before the measles outbreak, Grace had a kid. Folks said the measles hit the town hard. I heard… just talk, mind you… that Grace and her child were the last ones in Royal to leave. They stayed there long after the power was cut. She was holding out for someone to come back.”

“Who was she holding out for?” Peggy pressed, her voice sounding urgent.

Before Harold could answer, the front door of the VFW hall swung open.

“Peggy!”

It was Eleanor, the taxi driver, standing framed in the doorway, her face etched with genuine alarm.

“Eleanor, what are you doing here?” Peggy asked, bewildered. The front doors were locked. How did she get in?

“I came back for you!” Eleanor strode into the hall, ignoring the men. “I got halfway back to Black River Falls and realized what I did. Dropping a pretty college girl off alone in Oakhaven with nothing but a backpack. I was worried sick. You get some real rough characters wandering these parts. You’re coming home with me.”

Peggy realized she had misjudged the woman completely; Eleanor wasn’t just a taxi driver, she was a motherly protector. She quickly gathered her materials. The men, their conversation thoroughly disrupted, offered no protest.

Peggy looked down at Harold. “I need to come back tomorrow,” Peggy told Harold firmly. “I need to know more about Grace and that child.”

Harold just nodded, looking resigned. “You ask Eleanor. She’s a local. She’ll know more than us old coots.”

As Peggy was putting the map and newspaper article back in the envelope, she glanced down at the puzzle the three old men were putting together. Peggy’s eyes widened at the almost completed puzzle. It was the gazebo from the cover page of the sheet music “In The Shadow Of Yesterday”.

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