Red Berry Workshop

I may be crazy, but it seems to me that . . .

Page 6 of 11

Scene 3 – Lights, Camera, Indecision!

INT. ABANDONED WAREHOUSE – DAY

The air in the cavernous, dusty warehouse is thick with the smell of mildew and ambition. Motes of dust dance in the shafts of sunlight piercing the grimy windows. It’s a less-than-ideal film set, but it was free.

JEFF (V.O.) voice sighs, a familiar prelude to impending chaos.

JEFF (V.O.) Ah, the abandoned warehouse. The classic backdrop for cinematic breakthroughs, or in our case, the stage for a collective nervous breakdown. With Super 8 cameras clutched in trembling hands, our intrepid filmmakers were about to discover that translating grand ideas into actual imagery without the benefit of dialogue was, well, a silent scream in itself.

STANLEY wearing a slightly too-large director’s beret, is attempting to set up a rickety tripod, struggling with its obstinately disobedient legs. LEONARD paces a tight circle, muttering to himself, occasionally glancing at a small, tattered book. MARVIN leans against a graffiti-covered wall, arms crossed, looking utterly unimpressed. DEBORAH, ever the picture of organized chaos, consults a storyboard meticulously drawn on graph paper. CYNTHIA, meanwhile, is already deep into an imaginary cigarette, exhaling a visible cloud of nothing.

STANLEY (Frustrated grunt) This tripod has the structural integrity of a wet noodle! How am I supposed to capture the soaring spirit of man against the backdrop of urban decay with this… this contraption?!

DEBORAH (Calmly) Stanley, maybe focus on the narrative. My storyboard has a sequence here, frame 32, where our protagonist, representing the universal human struggle, gazes out at a desolate landscape. It’s meant to convey hope, or perhaps the yearning for it.

LEONARD (Stopping his pacing abruptly) But how do we convey yearning without a soliloquy? Or even a subtle sigh? Perhaps a slow zoom on his trembling lower lip? The visual manifestation of existential dread! It needs to be precise! We could use a slightly out-of-focus shot to symbolize the blurred lines of reality!

MARVIN (Without moving) Or you could just film him looking constipated. Pretty sure that covers most human struggles. And it’s universally understood.

Cynthia lets out a dry, silent chuckle, her imaginary cigarette nearly burning down to her fingertips.

CYNTHIA I like the idea of the desolate landscape. Especially if it’s just a pile of discarded industrial refuse. That screams “yearning” to me. Or just “landfill.” Close enough.

STANLEY (Straightening his beret with a flourish) No, no, no! Desolation is good, but it needs a hook! Imagine: our hero, standing on the precipice of a vast, empty expanse, then… a single, golden disco ball, glinting in the distance! Symbolizing the fleeting nature of joy in a post-modern world! And then he points at it! With conviction!

LEONARD (His voice rising in pitch) A disco ball? Stanley, we are trying to convey the ineffable tragedy of the human condition, not choreograph a B-movie musical! The image must be sparse! Stark! Like a single, flickering candle flame in a vast, cold universe! To represent the fragile grasp on sanity!

DEBORAH (Trying to mediate) Perhaps we could blend elements. The desolate landscape, yes, but then a subtle gesture. A shrug. A turning away. The quiet despair of a soul adrift.

MARVIN (Eyes half-closed) Or just a close-up of a broken promise. Maybe a cracked coffee mug. Everyone gets that.

JEFF (V.O.) It became clear, rather quickly, that each of them was attempting to make their own Super 8 film, simultaneously, on the same strip of celluloid. A kind of cinematic discord, without the benefit of actual sound.

Stanley, now visibly frustrated, throws his hands up.

STANLEY This is impossible! How do you tell a story without telling a story?! It’s like trying to make spaghetti without noodles! Or a relationship without emotional baggage!

LEONARD (Suddenly still, a look of dawning horror on his face) Wait. Stanley, you might be onto something. Your disco ball… Cynthia’s escaping figure… Deborah’s yearning… Marvin’s broken promise… my… my crumbling sanity…

He looks around at the group, a new light in his eyes.

LEONARD It’s all… it’s all us. This film isn’t about some universal protagonist. It’s about our collective neuroses! Our disillusionment! Our anxiety!

DEBORAH (Slowly, understanding dawning) A silent narrative of… shared confusion. The imagery of us, trying to figure this out.

CYNTHIA (Nodding, taking a deep, satisfied imaginary drag) The endless struggle. The vague sense of not knowing what the hell you’re doing. Yeah. That’s a story.

MARVIN (A rare, almost imperceptible smile) And it doesn’t need sound. Because no one’s listening anyway.

Stanley, after a moment of stunned silence, snaps his fingers.

STANLEY Brilliant! A meta-narrative! We’ll film ourselves trying to make the film! The director, consumed by his own grandiosity! The intellectual, drowning in theoretical quicksand! The pragmatist, clinging to her schedule! The cynic, observing it all with weary amusement! The… the phantom smoker, perpetually anticipating the next disaster!

LEONARD (A glimmer of genuine excitement, despite his inherent nervousness) Yes! A visual symphony of ineptitude! We can start with a shot of the tripod collapsing! Symbolizing the fragility of our ambitions!

DEBORAH (Picking up her notebook, a new resolve in her eyes) And then shots of us pacing, arguing, looking utterly lost. The raw, unfiltered reality of an embryonic creative process!

CYNTHIA (Grinning faintly) And then me, lighting up. A little visual punctuation for moments of profound existential dread.

Marvin just nods, a glimmer of approval in his eyes. For the first time, all five of them seem to be on the same, slightly absurd, page.

JEFF (V.O.) And so, after weeks of existential angst and theoretical wrangling, they had their story. It wasn’t about a train, or a milkman, or even a nuanced exploration of feminism. It was about them. Five hapless souls, trying to make sense of a world that increasingly felt like a silent film, and realizing that perhaps the most profound narrative of all was the one they were living, one botched take at a time. The Super 8 camera clicked to life, ready to capture the glorious, unadulterated chaos of their first foray into filmmaking.

WRYL Presents

The Wit And Wisdom Of Horace B Miesner

The road to success is paved with good intentions…

and a whole lot of caffeine.


WRYL – The Voice of the Great Up North

Dear Shirley

Dear Shirley,
I’m a teenage guy named Edwin, and I’m writing to you because I’m really confused about girls, especially when it comes to knowing if they want to be kissed. There’s this girl I really like, and I feel like we have a good connection, but I’m terrified of making a move and getting it wrong.

How do you even know if a girl wants you to kiss her? Is there something specific she says or does that’s a signal? I’ve heard about “body language,” but I don’t really know what to look for. I’m so scared of trying to kiss her and having her push me away, or worse, laugh at me and make fun of me to her friends. That would be completely mortifying.

Also, how can I tell if a girl really likes me, beyond just being friendly? Sometimes I think a girl is into me, but then she acts the same way with all her other guy friends, and I get confused. I don’t want to misread things and end up embarrassing myself.

Any advice you can give would be a huge help. I just want to understand things better so I don’t mess up.

Sincerely,
Confused Edwin

Dear Confused Edwin,
Thank you for your honest letter. It takes courage to ask these kinds of questions, and you’re certainly not alone in feeling confused about reading signals. It’s a tricky area, especially in the teenage years, but there are definitely ways to navigate it with more confidence.

First, let’s talk about knowing if a girl wants to be kissed. You’re right, body language is a big part of it, but it’s not always a flashing neon sign. Here are some things to look for, and remember, it’s often a combination of these, not just one:

  • Proximity and Personal Space: Is she leaning in when you talk? Does she find excuses to be physically close, like brushing your arm or letting your shoulders touch? If she’s consistently closing the physical gap between you, that’s a good sign she’s comfortable and possibly interested.
  • Eye Contact: Does she hold your gaze for more than a quick glance? Does she look at your lips when you’re talking, then back to your eyes? Prolonged, intense eye contact can be a strong indicator of interest.
  • Touch: Does she initiate light, casual touches, like touching your arm when she laughs, or playfully nudging you? Pay attention to how she reacts if you lightly touch her arm or hand – does she pull away, or does she reciprocate or linger?
  • Mirroring: People often unconsciously mirror the body language of someone they’re attracted to. If you lean in, does she? If you smile, does she smile back genuinely?
  • Lingering Goodbyes: Does she prolong goodbyes, finding reasons to stay and talk a little longer, or seem reluctant to leave?
  • Verbal Cues: Sometimes, it’s not just what she says, but how she says it. Does she compliment you? Does she ask personal questions about your feelings or your life? Does she hint at wanting to spend more time alone with you?

Now, for the big one: the kiss. Even with all these signals, there’s no 100% guarantee. The best approach is to create an opportunity for a kiss, rather than just going for it out of the blue. When you’re in a moment that feels right – maybe you’re alone, you’ve had a good conversation, and you’re feeling those positive signals – you can try:

  • Leaning In Slowly: Lean in slightly, making eye contact. Give her a chance to lean in too, or to pull back. If she leans in, that’s a very strong signal.
  • Looking at Her Lips: Briefly shift your gaze from her eyes to her lips, then back to her eyes. This is a subtle way to communicate your intention without saying a word. If she mirrors this, or her eyes linger on your lips, you’re likely in the clear.
  • Asking (If You’re Still Unsure): While it might feel less romantic, sometimes direct communication is the kindest and clearest. A soft “Can I kiss you?” or “I’d really like to kiss you right now” can remove all doubt. If she says yes, great! If she says no, or hesitates, you’ve avoided an awkward situation, and you’ve shown respect for her boundaries. Her reaction will tell you a lot.

As for telling if a girl really likes you beyond just being friendly, here are some additional signs:

  • Prioritizing You: Does she make time for you, even when she’s busy? Does she suggest spending time together one-on-one, rather than always in a group?
  • Deep Conversations: Does she share personal thoughts, feelings, or vulnerabilities with you? Does she listen intently when you share yours?
  • Remembering Details: Does she remember things you’ve told her, even small details, and bring them up later? This shows she’s truly listening and cares about what you say.
  • Exclusivity (Subtle): While she might be friendly with other guys, does she treat you differently? Does she seem more engaged with you, or seek you out specifically in a group setting?
  • Nervousness/Blushing: Sometimes, a girl who likes you might get a little shy or blush around you, especially if you compliment her or pay her special attention.

Edwin, the fear of rejection is completely normal. Everyone experiences it. But remember, a respectful approach, where you pay attention to her signals and give her space to respond, is always the best way. If a girl pushes you away or laughs, it says more about her immaturity than it does about you. You’re showing maturity by wanting to understand and respect her.

Keep being yourself, be genuine, and pay attention. You’ll get the hang of it.

Warmly,
Shirley

Share a Smile

It’s a gift to gather here today, to share in this space, and to reflect on something truly profound, yet often overlooked in its simplest form: love. We hear about grand gestures, sweeping romances, and world-changing movements, and indeed, these are expressions of love. But what about the quiet, everyday acts? What about the love that begins with just a simple smile?

Imagine this: you’re walking down the street, perhaps lost in thought, burdened by the day’s worries. And then, a stranger passes by, catches your eye, and offers a genuine, warm smile. For a fleeting moment, the weight lifts. A connection is made. That simple smile, costing nothing, can truly change everything. It’s a tiny spark, but sparks can ignite fires.

From these small sparks, these simple acts of kindness, something truly remarkable begins to grow. A helping hand, a listening ear, a kind word – these aren’t just polite gestures. They are seeds of compassion. They lead to bigger acts of love, to deeper understanding, and to a profound sense of connection with those around us.

Yet, often, we find ourselves in places of misunderstanding, even division. Why? So often, it stems from the fear of the unknowing. We encounter someone different, someone whose life experiences or beliefs don’t immediately align with our own, and fear can creep in. This fear, left unchecked, can blossom into misunderstanding, creating walls where bridges should be built. And when communication breaks down, when we stop talking, truly listening, and asking questions, non-acceptance can take root. We begin to judge lifestyles we don’t understand, seeing only black or white, forgetting that life, like truth, often exists in a spectrum of vibrant colors.

This is not a time for division. This is a time for unity. There are always more than two sides to every story, more nuances than simple binaries can capture. It is not only okay, but vital, to ask questions. It is more than okay for people to be different. In fact, it is out of these very differences that true unity and strength emerge. Think of a tapestry: it is the varied threads, each unique in color and texture, that weave together to create something beautiful and strong.

We are all, every single one of us, made in the Creator’s image. Who then are we to judge that one is better than another? Who are we to diminish the inherent worth and dignity of any soul? Our community, this gathering of unique individuals, is not just a group of people; it is a family. And in the Creator’s eyes, we are all one family.

We each bring different talents, different strengths, different perspectives to this family. And yes, we all have our own unique weaknesses, our own struggles. But when we choose to live together, to work together, and most importantly, to love together, those weaknesses begin to fade. They are absorbed into the collective strength, supported by shared compassion. In that space, there are no more weaknesses. There is only love.

So, as you leave this place today, carry this simple truth with you. Smile at your neighbor. Strike up a conversation with a friend, or even someone you don’t know well. Take the time to learn from them, to hear their story, to understand their journey. And as you learn from them, they will learn from you. And together, with everyone here in our community, we will live and prosper in peace and in love. Amen.

Chapter 10: Whispers from the Walls

Ethan stood in the foyer, the cool metal of the key still warm in his palm, a tangible link between the present and the unfolding mystery. His eyes, accustomed to the dim light of his own temporary refuge, slowly adjusted to the deeper gloom of this new, silent house. Small, hesitant fingers of sunlight pierced the grimy windows, struggling to illuminate the shrouded rooms within. Dust motes, ancient and restless, danced in the faint beams.

To his left, the living room lay in disarray, a testament to a hurried departure or a  prolonged abandonment. Furniture, humped beneath dusty sheets, resembled forgotten sculptures, while books and papers lay scattered like fallen leaves across the floor. The curtains, thick with age and grime, seemed too fragile to touch, sealing the room in perpetual twilight. Ethan instinctively reached for a light switch by the door, flicking it on and off in vain. No power. How then, did that light flicker on upstairs last night? The question echoed in his mind, unsettling and intriguing.

Carefully, Ethan stepped into the living room, trying not to disturb the decades of accumulated dust. His gaze fell upon the familiar glint of old newspapers and magazines among the scattered items. There were also bills, letters, and even greeting cards, each a whisper of a life once lived within these walls. He walked gingerly over the forgotten memories.

The next room, a dining room by its layout, offered a similar scene of neglect. Another light switch yielded nothing. In the corner, an old upright piano stood like a sentinel, its keys likely muted by time and disuse. Shelves, draped in sheets, lined the walls, hinting at hidden treasures beneath their dusty shrouds. A desk and chair occupied another wall, its surface buried under a fresh layer of papers. Next to the desk, metal cabinets that promised unknown contents. Several dining room chairs were scattered haphazardly, but there was no table, as if the heart of this communal space had been ripped out.

To his right, an open archway led into the kitchen. Here, the sunlight was less inhibited, reflecting off dirty white tiles on the walls, giving the room a surprisingly stark appearance. Yet, it too was a disorganized mess. Ethan tried the sink faucet, but only a musty smell and the eerie gurgle of trapped air escaping ancient lead pipes answered his attempt. In the pantry area, he found a hulking refrigerator, a relic of another era. To the left of the refrigerator, the back entrance beckoned, locked and bolted from the inside. He slid the heavy bolt, then inserted his key into the lock. With a soft click, the door opened.

He stepped outside, blinking as the sun’s bright warmth enveloped his face. As Ethan looked up at the sky, a strange sensation prickled the back of his neck – the feeling of being watched. He spun around quickly, but only the sidewalk leading to the front of the house greeted his gaze. A rustling in some nearby bushes made him jump, only for a rabbit to scurry out, disappearing into the undergrowth. Reassured, yet still slightly unnerved, Ethan went back inside, locking and bolting the door behind him.

A stairway heading down to the basement caught his eye. He tried the light switch, but again, no light. He made a mental note: next time, bring the oil lantern from the shed. The thought of exploring the depths below was both daunting and exciting.

Returning to the kitchen, Ethan made his way back through the dining room and into the living room. He cautiously pulled back the curtains on the front window, letting in a wider swath of daylight. With his shirt sleeve, he rubbed a small circle of grime off the pane, revealing the familiar outline of the house where he was living, standing silent across the street.

He closed his eyes, and the silence of this house filled his ears. He imagined. He pictured a bustling home, filled with laughter and daily routines, the sounds of life vibrant and clear. He could almost feel a love emanating from the very walls he stood within, a palpable connection that resonated deep in his heart. There was a reason for him to be here. Not just in this house, but in Royal itself. The answers he sought, the elusive pieces of his past, were here.

But with this sense of connection came a wave of sadness and disappointment. It was as if a vital link in this house, a bond between two people, had been brutally severed. The emotions rushing through Ethan were overwhelming, powerful, almost tangible. He felt dizzy, staggering and bumping into the living room couch. He sank onto its dusty cushions, the dam of his carefully guarded emotions finally breaking.

Tears streamed down his face, tears of sadness that felt like the collective sorrow of the house pouring through him. Then, the sadness curdled into anger. Why? Why did you leave? I was always here for you. Why did you shut me away for all these years? Why are you here? Why are you reopening the wounds of the past? Why? Why did you stop loving me? His emotions reached a boiling point. He stood, tears still streaking down his cheeks, and screamed into the desolate air, “What do you want from me?! What am I supposed to do?!”

A loud thud from upstairs abruptly shattered the emotional storm. Ethan froze, wiping away his tears, the raw emotion replaced by a surge of fear. Another thud. It was undeniably coming from upstairs. What was upstairs? Or who?

Then, something began rolling across the upstairs floor. It bounced down the steps, a rhythmic thump-thump-thump, coming to rest in the foyer. Ethan slowly walked towards it. The front door was still open, an escape route beckoning, but curiosity, despite his fear, held him captive. Lying on the dusty foyer floor was a red rubber ball.

He picked it up, staring at its vibrant color, so out of place in the muted tones of the old house. He bounced it once. The ball sprung right back into his hand, familiar and comforting. He began to squeeze it, the simple action surprisingly relaxing.

With the red rubber ball still in hand, Ethan walked to the foot of the stairway and looked up. Enough light filtered down from the upper floor to dimly illuminate the path. He wasn’t sure what to do, but the comforting feel of the ball seemed to instill a strange sense of confidence. Slowly, deliberately, he began to climb the stairs.

The second floor mirrored the disarray downstairs: four bedrooms and a bathroom, all in a state of disorganized chaos. Papers, clothes, and garbage littered the floors of every room. The bathroom was a disaster, the sink missing, the toilet bowl sitting in the bathtub. Ethan chuckled despite himself at the bizarre sight. He briefly looked into the other bedrooms, nothing catching his eye as out of the ordinary. He decided it was getting late; he should head home and get some food.

As he turned to leave the last bedroom, he bumped into a chest of drawers, sending a couple of books tumbling to the floor in a small cloud of dust. He bent down to retrieve them. They were scrapbooks. He gently placed them on an old bed frame and mattress. Ethan looked around the room again. Of all the upstairs rooms, this one seemed the most organized, almost as if…

His mind flashed back to last night. This was the room. Ethan walked to the window and looked out, confirming his suspicion. He opened the window, letting in a cool draft, and closed his eyes, trying to recapture the vivid image of the mysterious woman looking down at him from this very spot.

He snapped out of his dream, the red rubber ball slipping from his grasp. It bounced onto the bed and rolled to a stop. His eyes followed its path, then moved upwards. That’s when he saw it: the lamp on the nightstand. The source of the light he’d seen last night.

Curiosity overriding caution, he walked over to the lamp and stared. Could it be He reached down, his fingers finding the light switch. He closed his eyes, took a breath, and turned the switch.

The light instantly flooded the room, making him step back in shock, trying to comprehend the how and why. His gaze fell on the two scrapbooks on the bed. He sat down and opened one, paging through it. His eyes widened with amazement and wonderment at the contents.

That night, Ethan didn’t make it back to his own house. He curled up on the old bed, the scrapbooks beside him, and finally drifted into a deep sleep after a long, stressful day.

The ethereal woman quietly entered the bedroom. She wore the same white nightgown from the night before. She walked to Ethan’s side, leaned down, and gently kissed his forehead. “Sweet dreams, my angel,” she whispered, her voice like a sigh of wind. She reached out and turned off the lamp. Her radiant glow momentarily cast shifting shadows across the room and over Ethan’s face. She smiled, a soft, knowing expression, and then, as silently as she had arrived, she disappeared.

Polish Word For The Day

Pastor Dzef takes you into a language adventure. Learn Polish and sing along with the Lupinska sisters at the Royal VFW. Use these words in your English conversations and eventually you will become bi-lingual. Practice along with the Royal community. Watch for upcoming Polish language summer camps, Polish story time at the Royal Library and the Kielbasa eating contest at the Lunch Box Cafe

Let’s Learn The Four Seasons

Zima (shzee ma) – Winter

Wiosna (vee oh snah) – Spring

Lato (lah toe) – Summer

Jesien (yeh shen) – Fall

WRYL Presents

The Wit And Wisdom Of Horace B Miesner

Mirrors show us what we look like, not who we are (thank goodness).


WRYL – The Voice of the Great Up North

Scene 2 – The Super 8 Project

INT. STUDENT UNION – DAY

The Student Union is a buzzing hive of activity. Students mill about, some studying, some playing foosball. Our five main characters are huddled on a collection of mismatched, vaguely stained couches and armchairs in a corner. Half-empty coffee cups and discarded wrappers litter the small table in front of them. JEFF’S (V.O.) voice returns, a little more resigned this time.

JEFF (V.O.) The Student Union. A kind of intellectual purgatory, where grand ideas went to die over lukewarm coffee and the persistent aroma of stale pizza. After a week of academic immersion, or what passed for it, our fearless filmmakers were now grappling with their first existential crisis: the Super 8 project.

LEONARD meticulously wipes down his glasses, even though they look perfectly clean. STANLEY gestures wildly with a half-eaten Danish. MARVIN sips his coffee, utterly unperturbed by the chaos around him. DEBORAH, ever the pragmatist, consults a small, precise notebook. CYNTHIA lights up another imaginary cigarette, exhaling with a sigh that could curdle milk.

DEBORAH So, the Super 8 assignment. “A visual narrative without sound.” Professor Silverman was very clear about the imagery needing to convey the story. No cheating with title cards.

STANLEY (Leaning forward conspiratorially) “Visual narrative.” Exactly! This is where we separate the artists from the… well, from the people who just show up for class. I’m thinking a sweeping epic. A young man, trapped by the banality of suburban life, dreams of Hollywood glory. We see him packing a single suitcase, the light glinting off a framed photo of Orson Welles. Cut to him hitchhiking, the open road, endless possibilities!

LEONARD (Pinching the bridge of his nose) Stanley, it’s Super 8. And it’s due in two weeks. Are we talking about an actual film, or your therapy session played out on celluloid? Because frankly, the latter might be more achievable.

MARVIN (Without looking up from his coffee) Maybe the visual narrative is just him staring at the camera for three minutes, conveying the crushing weight of artistic ambition. Minimalist. Profound.

Cynthia lets out a soft, smoky chuckle.

CYNTHIA Or just the crushing weight of tuition bills. That’s a narrative I understand.

DEBORAH (Tapping her pen on her notebook) My idea is about a woman trying to find her place in a rapidly changing world. We could use reflections in windows to symbolize introspection, perhaps a shot of her walking against the flow of foot traffic to show her individualism. It’s subtle, but powerful.

STANLEY (Dismissively) Subtle? Debbie, darling, subtlety is for tax accountants! We need bold strokes! Like, a montage of her furiously disco dancing in a library! To show her rebellion!

LEONARD (Shuddering) Please, no disco. My ears haven’t recovered from the Gasthaus jukebox. Besides, if we’re relying solely on imagery, how do we convey complex emotional states? The inherent anxieties of a man trapped in a labyrinth of his own neuroses, for example? A tracking shot of his rapidly deteriorating hairline?

MARVIN (Taking another sip) You could just film a close-up of a blinking light. It’d convey the same thing. And it’s cheaper.

JEFF (V.O.) Marvin, in his own short succinct way, was often the voice of reason. A rather cynical, gravelly voice of reason, but reason nonetheless.

CYNTHIA (Exhaling an imaginary plume) I was thinking something about a person escaping. Just… escaping. We could show a series of mundane objects, like a chipped coffee mug, an overflowing ashtray, then cut to a shot of bare feet running down a road. No explanation. Just… the feeling of needing to get out.

Deborah nods slowly, considering this.

DEBORAH That’s actually… quite evocative, Cynthia. The ambiguity works.

STANLEY Ambiguity? Debbie, you don’t win Oscars with ambiguity! You win with grand gestures and a stirring musical score that makes the audience weep! Weeping! That’s the key!

LEONARD (Adjusting his glasses for the hundredth time) But if the audience is weeping, Stanley, it’s usually because they’ve realized they just paid seven dollars for a film that features a milkman disco dancing.

Stanley slumps back, momentarily defeated.

STANLEY Fine. No disco milkman. For now. But I’m still convinced a long shot of me, silhouetted against a dramatic sunset, could convey existential yearning.

MARVIN It would certainly convey something. Probably just low blood sugar.

The group falls into a comfortable silence for a moment, the hum of the Student Union a dull backdrop. They sip their coffees, each lost in thought about their impossible film assignments.

DEBORAH (Breaking the silence, a hopeful tone in her voice) You know, even if these first films are terrible… we’re actually doing it. We’re making something.

LEONARD (A small, tentative smile) Yes. The potential for catastrophic failure has never been so high. It’s… exhilarating. In a way that causes stomach cramps.

STANLEY (Perking up, a glint in his eye) Catastrophic failure is just a stepping stone to legendary status! Besides, we’re all in this together. A team! The next great American filmmaking collective!

Marvin raises his coffee cup in a silent, sarcastic toast. Cynthia gives a half-smile, exhaling another puff of imaginary smoke. The idea, outlandish as it was, settled around them like a comforting, if slightly absurd, blanket.

JEFF (V.O.) And so, the seeds of collaboration were sown amidst the sticky tables and the lukewarm coffee. They were a motley crew, to be sure. A neurotic intellectual, a Hollywood dreamer, a cynical observer, an earnest idealist, and a world-weary phantom smoker. They had no idea what they were doing, which, in the context of filmmaking, often meant they were exactly where they needed to be. The Super 8 cameras awaited, and with them, the glorious, and likely hilarious, beginnings of their cinematic careers.

Chapter 9: The House Across the Street

The days in Royal began to stretch, each one mirroring the last. Routine set in, and boredom gnawed at Ethan. While his journal remained a constant, his emotions grew more intense, raw, and unfiltered on the page. Anger, boredom, and frustration began to take their toll.

Ethan would sit for hours, staring out the front window at the empty street. His mind drifted, pulling at different memories, different scenarios. He was searching for a past that made sense, but it remained elusive. His gaze often fell upon his violin case. Once a source of love and passion, it now evoked only hate and depression. “I wouldn’t be here if it wasn’t for my violin,” he’d mutter to himself. “What if I listened to my parents? Why was I so stubborn?” There were times he actually considered throwing the violin into the fireplace and burning it, but what would that accomplish? And then, visions of his grandfather playing in the park gazebo would flicker, adding to his confusion, anger, and depression.

The walks around the neighborhood offered a partial reprieve. Ethan found that the more he explored, the clearer his mind became. Sitting at home doing nothing, his thoughts would unravel, and his emotions would play relentless mind games. He discovered that writing in his journal or immersing himself in books and magazines kept those mental battles at bay. But there was only so much reading and writing one could do. Ethan needed more.

That’s when he remembered the key he’d found on the coffee table. One day, he picked it up and went around the house, trying it on every door that had a lock. Surprisingly, it worked. It worked remarkably well, in fact. He could now lock up the house, the shed, and even the utility shack housing the electric generator. “I’m now safe and secured from unwanted intruders living in this ghost town,” he said mockingly to himself, a hollow laugh escaping his lips.

That night, Ethan finished his journal and read a couple of chapters from a book. Tiredness crept in, and he headed upstairs for bed. After brushing his teeth and having one last glass of water, he unmade his bed. He switched on the bedside lamp, then turned off the ceiling light. He walked to the bedroom window, which overlooked the street. He looked at the dark, deserted houses across the way, and his imagination took flight. He started to dream of what life was like here many years ago—the families, their lives, their loves. Ethan yearned for a life like that, a life of love and acceptance.

Then, abruptly, Ethan snapped back to reality. He stared intently at one house across the street. A light flickered on in an upstairs room. Ethan froze, amazed. How could this be? Was someone there? Was he not alone in Royal? The light shone brightly, and he could make out a shadow moving within. He tried to open his bedroom window, but that pane remained stubbornly stuck. Ethan grabbed his blue jeans and shirt, pulling them on in a rush. He looked out the window again. The light was still on.

He dashed down the stairs, bursting out the front door and into the street. He stood directly in front of that house. The light was still on. He could see the curtains rustling with a gentle breeze, the window open. A shadow appeared, walking across the room. Ethan stood in the street, mouth agape, his mind spiraling between past and present. The old photos flashed vividly: his grandfather, then the unknown woman, back to his grandfather, then the unknown woman. Then, a vision he’d never seen before: the two of them together. The image solidified in his mind, growing clearer until…

“Hello!” Ethan shouted, his voice tense. “Who is there? Who are you?”

The shadowy figure came closer to the window. Ethan wanted to move, to get nearer, but his feet felt rooted to the spot. The figure lifted the window pane higher. The bedroom light created a shimmering glow as she looked out. She was dressed in an old fashion white nightgown, her long brown hair cascading over her shoulders.

“Hello!” Ethan shouted again, desperation lacing his voice.

The figure turned her head and looked directly down at Ethan, a faint smile on her lips. The vision of her, the sheer beauty of her, burned an image into Ethan’s brain. He could only stare in amazement. Then, without a word, the image receded back into the bedroom, closed the window, and turned off the light. Ethan stood there for a few more minutes, staring up at the now dark window. Then, he turned and walked back to his house. He sat on the front porch steps, still gazing at the house across the street.

Morning light filtered through his bedroom window. Ethan opened his eyes. He was in his own bedroom. He sat on the edge of the bed, looking around. Was it all a dream? Did last night really happen? He picked up the picture frame and stared at the photos, especially the one of his grandfather. Then, in a split second, the vision of Ethan’s grandfather and the unknown woman flashed before his eyes again. It startled him, and he dropped the picture frame. Luckily, it didn’t break. He picked it up and placed it back on the nightstand. Ethan got up, ready to start another day.

He went downstairs to the kitchen to grab a bite to eat and plan his day. After eating some canned fruit, Ethan walked into the living room. On the coffee table lay the key. Ethan picked it up and stared at it. Again, in a split second, the same vision of Ethan’s grandfather and the unknown woman flashed before his eyes. He slipped the key into his pocket and went out the front door.

Ethan walked across the street and stood in front of the house. He looked up at the bedroom window. It was closed, looking as if it hadn’t been opened in many years. He walked up the front sidewalk, stopping once again to stare at the house. He reached into his pocket and pulled out the key. He walked up the front porch steps and opened the screen door. With a nervous hand, Ethan put the key into the front door lock. He closed his eyes, took a deep breath, and turned the key until he heard a click. He turned the doorknob and gave the door a slight push. It opened. Ethan took a couple of steps inside the house as the screen door closed softly behind him.

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